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  • Record/Vinyl + Digital Album

    Thanks to a QR-Code attached to this production (including a poster), you can download the album's mp3 audio and VIDEO documents in high definition


    NichelOdeon & borda: Quigyat
    Music Field: Performing Art/Rock in Opposition/Contemporary Recital


    “According to the Greenland Inuit, the “Quigyat” auroras were the spirits of children who
    died a violent death or on their birthday.
    This album in war times, employs the live and studio dimension to explore the
    possibilities (also compositional) offered by electronics, the same as defined by music
    critic Luigi Pestalozza, Luigi Nono’s biographer, as the fruit of armament research”


    Quigyat is NichelOdeon's first production with the electronic artist borda (Teo Ravelli).
    It is a record created for the definition of a new form of contemporary recital (A.N.F.O.R.E. - a new form of European recital).

    Although the voices are all recorded live in Stradella in September 2023, in a show between theatrical monologues, mime, abstract painting and music, the album employs the live dimension to explore the possibilities (also compositional) offered by the recording studio and electronics, the same defined by critic Luigi Pestalozza, Luigi Nono's biographer, as the fruit of research for the production of armaments.

    And in wartime this album was born, to transfigure as in an ancient memory, deformed by expressionist horrors, compositions taken from past records (Alla Statua dei Martiri di Gorla, Malamore e la Luna, Ciò che Rimane), to generate drones pervaded by the profound humanity of a Siberian invocation/lamentation (the title track), to make the tango in the middle section, Astor Piazzolla's famous “Los Pajaros Perdidos”, explode in post-metal electricity.

    From Master Cronenberg: injecting humanity with perceptual dystopia, exasperating its expressionist scream, in order to resist and exist in an era in which the only musical frontier appears to be an ambiguous reality, if not a parallel one, that smoothes out wrinkles.

    Those, here, are amplified by the impossibility of reacting to a course of events that annihilates, waiting for a mechanics capable of putting an end to the optional named 'soul'.

    Includes unlimited streaming of Quigyat via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
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  • Streaming + Download

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1.
“According to the Greenland Inuit, the “Quigyat” auroras were the spirits of children who died a violent death or on their birthday. This album in war times, employs the live and studio dimension to explore the possibilities (also compositional) offered by electronics, the same as defined by music critic Luigi Pestalozza, Luigi Nono’s biographer, as the fruit of armament research” Quigyat (Little Symphony for Frozen Soldiers) Voices: "If I were fire I would burn the opulence that bestows such beauty but at the expense of others." "'Mom... where is my mum?" "We'll explode in a scream, to dig up the dead from the earth And return their nameless graves to heaven." To The Gorla’s Martyrs Statue (Requiem in Defence of Children’s Rights) Never let the child fall never let he fall today let your arms be like a swing today let your arms be like a swing rocking sweetly sweetly among the stars today let the planes just be toys today let the bombs be pins that shine shine shine shine From today the mothers black flood have dressed all Milan with their prams empty, empty made up as dolls, slowly taken away like seaweed from ghosts. All around the skyscrapers become so tall that the subway light can't rise above like a burp toward the sky, hanging from people's eyes always lower out of shame dressed as.... dressed as pride. “Miserable childhood, that inside its bleakness already can tell good from evil... that is sleeping and will awake, will open its eyes but to not see too much will go back to sleep" (Hanus Hachenburg, 12.7.1929 -- Auschwitz 18.12.1943) The Lost Birds I love the lost birds That come back from death To blend in with a sky Where I will never be able to get back. The memories come back, The hours of my youth that I gave away, And a ghost comes from the sea Made out of things I loved and lost. Everything was a dream, a dream that we lost, Like we lost the birds and the sea, A short and ancient dream like the time That mirrors can not reflect. Later I tried to lose you in so many others And that other one and all of them were you; I finally got to recognize when a goodbye is a goodbye, Loneliness devours me, and we were left two. The night birds come back They fly, blind, over the sea, The entire night is a mirror That brings your loneliness back to me. I am but a lost bird Coming back from death To blend in with a sky Where I will never be able to get back. Evillove and the Moon Rare, greedy recklessness of life and thieves our eyes black holes look through what connects them is the alien frame that frightens and bares, all the rest is waiting, deceit, cannibalism Tired, over domesticated animals We play at tightrope walking, hanging from breasts ready to be suckled that we bite to spit milk mixed with blood, boredom and confusion Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath Pantomime fairs of insane superstructures We defend a mozaic of lies that By now we don’t distinguish anymore from our skin, Behind our face only a blind emptiness is left to be kept. Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath The other night, my name appeared in my dream ............................. What’s Left Behind The king-passed away, against the wind he passed away. A sigh blew against the wind. He didn't ever want to give up Didn't want to become Grey and docile, a cup of tea Didn't want to yell, close to the border He was the border And wanted to play with everybody He was called "the cardsharp". I know that I am better than God, He doesn't exist, but I do. We passed the time listening To the sound of the stars Which were drawing cathedrals of cells In the bottoms of our souls Needing new lenses To bring our ideas into focus And to set the ideas on fire And to learn how to run, standing still. Let your reality explode Then swim in the depths of what's left behind, Let the truth explode Then rush to drink what's left behind. As long as the thirst was great To leave alone the bones squeaking And the doubt that loving is chemistry A footprint, and then emptiness ................... When you came at night A thief, kissing my dreams Remember to carry away the emptiness that you left That I need only a bit of room To still love myself.
2.
“According to the Greenland Inuit, the “Quigyat” auroras were the spirits of children who died a violent death or on their birthday. This album in war times, employs the live and studio dimension to explore the possibilities (also compositional) offered by electronics, the same as defined by music critic Luigi Pestalozza, Luigi Nono’s biographer, as the fruit of armament research” Quigyat (Little Symphony for Frozen Soldiers) Voices: "If I were fire I would burn the opulence that bestows such beauty but at the expense of others." "'Mom... where is my mum?" "We'll explode in a scream, to dig up the dead from the earth And return their nameless graves to heaven." To The Gorla’s Martyrs Statue (Requiem in Defence of Children’s Rights) Never let the child fall never let he fall today let your arms be like a swing today let your arms be like a swing rocking sweetly sweetly among the stars today let the planes just be toys today let the bombs be pins that shine shine shine shine From today the mothers black flood have dressed all Milan with their prams empty, empty made up as dolls, slowly taken away like seaweed from ghosts. All around the skyscrapers become so tall that the subway light can't rise above like a burp toward the sky, hanging from people's eyes always lower out of shame dressed as.... dressed as pride. “Miserable childhood, that inside its bleakness already can tell good from evil... that is sleeping and will awake, will open its eyes but to not see too much will go back to sleep" (Hanus Hachenburg, 12.7.1929 -- Auschwitz 18.12.1943) The Lost Birds I love the lost birds That come back from death To blend in with a sky Where I will never be able to get back. The memories come back, The hours of my youth that I gave away, And a ghost comes from the sea Made out of things I loved and lost. Everything was a dream, a dream that we lost, Like we lost the birds and the sea, A short and ancient dream like the time That mirrors can not reflect. Later I tried to lose you in so many others And that other one and all of them were you; I finally got to recognize when a goodbye is a goodbye, Loneliness devours me, and we were left two. The night birds come back They fly, blind, over the sea, The entire night is a mirror That brings your loneliness back to me. I am but a lost bird Coming back from death To blend in with a sky Where I will never be able to get back. Evillove and the Moon Rare, greedy recklessness of life and thieves our eyes black holes look through what connects them is the alien frame that frightens and bares, all the rest is waiting, deceit, cannibalism Tired, over domesticated animals We play at tightrope walking, hanging from breasts ready to be suckled that we bite to spit milk mixed with blood, boredom and confusion Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath Pantomime fairs of insane superstructures We defend a mozaic of lies that By now we don’t distinguish anymore from our skin, Behind our face only a blind emptiness is left to be kept. Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath The other night, my name appeared in my dream ............................. What’s Left Behind The king-passed away, against the wind he passed away. A sigh blew against the wind. He didn't ever want to give up Didn't want to become Grey and docile, a cup of tea Didn't want to yell, close to the border He was the border And wanted to play with everybody He was called "the cardsharp". I know that I am better than God, He doesn't exist, but I do. We passed the time listening To the sound of the stars Which were drawing cathedrals of cells In the bottoms of our souls Needing new lenses To bring our ideas into focus And to set the ideas on fire And to learn how to run, standing still. Let your reality explode Then swim in the depths of what's left behind, Let the truth explode Then rush to drink what's left behind. As long as the thirst was great To leave alone the bones squeaking And the doubt that loving is chemistry A footprint, and then emptiness ................... When you came at night A thief, kissing my dreams Remember to carry away the emptiness that you left That I need only a bit of room To still love myself.
3.
“According to the Greenland Inuit, the “Quigyat” auroras were the spirits of children who died a violent death or on their birthday. This album in war times, employs the live and studio dimension to explore the possibilities (also compositional) offered by electronics, the same as defined by music critic Luigi Pestalozza, Luigi Nono’s biographer, as the fruit of armament research” Quigyat (Little Symphony for Frozen Soldiers) Voices: "If I were fire I would burn the opulence that bestows such beauty but at the expense of others." "'Mom... where is my mum?" "We'll explode in a scream, to dig up the dead from the earth And return their nameless graves to heaven." To The Gorla’s Martyrs Statue (Requiem in Defence of Children’s Rights) Never let the child fall never let he fall today let your arms be like a swing today let your arms be like a swing rocking sweetly sweetly among the stars today let the planes just be toys today let the bombs be pins that shine shine shine shine From today the mothers black flood have dressed all Milan with their prams empty, empty made up as dolls, slowly taken away like seaweed from ghosts. All around the skyscrapers become so tall that the subway light can't rise above like a burp toward the sky, hanging from people's eyes always lower out of shame dressed as.... dressed as pride. “Miserable childhood, that inside its bleakness already can tell good from evil... that is sleeping and will awake, will open its eyes but to not see too much will go back to sleep" (Hanus Hachenburg, 12.7.1929 -- Auschwitz 18.12.1943) The Lost Birds I love the lost birds That come back from death To blend in with a sky Where I will never be able to get back. The memories come back, The hours of my youth that I gave away, And a ghost comes from the sea Made out of things I loved and lost. Everything was a dream, a dream that we lost, Like we lost the birds and the sea, A short and ancient dream like the time That mirrors can not reflect. Later I tried to lose you in so many others And that other one and all of them were you; I finally got to recognize when a goodbye is a goodbye, Loneliness devours me, and we were left two. The night birds come back They fly, blind, over the sea, The entire night is a mirror That brings your loneliness back to me. I am but a lost bird Coming back from death To blend in with a sky Where I will never be able to get back. Evillove and the Moon Rare, greedy recklessness of life and thieves our eyes black holes look through what connects them is the alien frame that frightens and bares, all the rest is waiting, deceit, cannibalism Tired, over domesticated animals We play at tightrope walking, hanging from breasts ready to be suckled that we bite to spit milk mixed with blood, boredom and confusion Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath Pantomime fairs of insane superstructures We defend a mozaic of lies that By now we don’t distinguish anymore from our skin, Behind our face only a blind emptiness is left to be kept. Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath The other night, my name appeared in my dream ............................. What’s Left Behind The king-passed away, against the wind he passed away. A sigh blew against the wind. He didn't ever want to give up Didn't want to become Grey and docile, a cup of tea Didn't want to yell, close to the border He was the border And wanted to play with everybody He was called "the cardsharp". I know that I am better than God, He doesn't exist, but I do. We passed the time listening To the sound of the stars Which were drawing cathedrals of cells In the bottoms of our souls Needing new lenses To bring our ideas into focus And to set the ideas on fire And to learn how to run, standing still. Let your reality explode Then swim in the depths of what's left behind, Let the truth explode Then rush to drink what's left behind. As long as the thirst was great To leave alone the bones squeaking And the doubt that loving is chemistry A footprint, and then emptiness ................... When you came at night A thief, kissing my dreams Remember to carry away the emptiness that you left That I need only a bit of room To still love myself.
4.
“According to the Greenland Inuit, the “Quigyat” auroras were the spirits of children who died a violent death or on their birthday. This album in war times, employs the live and studio dimension to explore the possibilities (also compositional) offered by electronics, the same as defined by music critic Luigi Pestalozza, Luigi Nono’s biographer, as the fruit of armament research” Quigyat (Little Symphony for Frozen Soldiers) Voices: "If I were fire I would burn the opulence that bestows such beauty but at the expense of others." "'Mom... where is my mum?" "We'll explode in a scream, to dig up the dead from the earth And return their nameless graves to heaven." To The Gorla’s Martyrs Statue (Requiem in Defence of Children’s Rights) Never let the child fall never let he fall today let your arms be like a swing today let your arms be like a swing rocking sweetly sweetly among the stars today let the planes just be toys today let the bombs be pins that shine shine shine shine From today the mothers black flood have dressed all Milan with their prams empty, empty made up as dolls, slowly taken away like seaweed from ghosts. All around the skyscrapers become so tall that the subway light can't rise above like a burp toward the sky, hanging from people's eyes always lower out of shame dressed as.... dressed as pride. “Miserable childhood, that inside its bleakness already can tell good from evil... that is sleeping and will awake, will open its eyes but to not see too much will go back to sleep" (Hanus Hachenburg, 12.7.1929 -- Auschwitz 18.12.1943) The Lost Birds I love the lost birds That come back from death To blend in with a sky Where I will never be able to get back. The memories come back, The hours of my youth that I gave away, And a ghost comes from the sea Made out of things I loved and lost. Everything was a dream, a dream that we lost, Like we lost the birds and the sea, A short and ancient dream like the time That mirrors can not reflect. Later I tried to lose you in so many others And that other one and all of them were you; I finally got to recognize when a goodbye is a goodbye, Loneliness devours me, and we were left two. The night birds come back They fly, blind, over the sea, The entire night is a mirror That brings your loneliness back to me. I am but a lost bird Coming back from death To blend in with a sky Where I will never be able to get back. Evillove and the Moon Rare, greedy recklessness of life and thieves our eyes black holes look through what connects them is the alien frame that frightens and bares, all the rest is waiting, deceit, cannibalism Tired, over domesticated animals We play at tightrope walking, hanging from breasts ready to be suckled that we bite to spit milk mixed with blood, boredom and confusion Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath Pantomime fairs of insane superstructures We defend a mozaic of lies that By now we don’t distinguish anymore from our skin, Behind our face only a blind emptiness is left to be kept. Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath The other night, my name appeared in my dream ............................. What’s Left Behind The king-passed away, against the wind he passed away. A sigh blew against the wind. He didn't ever want to give up Didn't want to become Grey and docile, a cup of tea Didn't want to yell, close to the border He was the border And wanted to play with everybody He was called "the cardsharp". I know that I am better than God, He doesn't exist, but I do. We passed the time listening To the sound of the stars Which were drawing cathedrals of cells In the bottoms of our souls Needing new lenses To bring our ideas into focus And to set the ideas on fire And to learn how to run, standing still. Let your reality explode Then swim in the depths of what's left behind, Let the truth explode Then rush to drink what's left behind. As long as the thirst was great To leave alone the bones squeaking And the doubt that loving is chemistry A footprint, and then emptiness ................... When you came at night A thief, kissing my dreams Remember to carry away the emptiness that you left That I need only a bit of room To still love myself.
5.
“According to the Greenland Inuit, the “Quigyat” auroras were the spirits of children who died a violent death or on their birthday. This album in war times, employs the live and studio dimension to explore the possibilities (also compositional) offered by electronics, the same as defined by music critic Luigi Pestalozza, Luigi Nono’s biographer, as the fruit of armament research” Quigyat (Little Symphony for Frozen Soldiers) Voices: "If I were fire I would burn the opulence that bestows such beauty but at the expense of others." "'Mom... where is my mum?" "We'll explode in a scream, to dig up the dead from the earth And return their nameless graves to heaven." To The Gorla’s Martyrs Statue (Requiem in Defence of Children’s Rights) Never let the child fall never let he fall today let your arms be like a swing today let your arms be like a swing rocking sweetly sweetly among the stars today let the planes just be toys today let the bombs be pins that shine shine shine shine From today the mothers black flood have dressed all Milan with their prams empty, empty made up as dolls, slowly taken away like seaweed from ghosts. All around the skyscrapers become so tall that the subway light can't rise above like a burp toward the sky, hanging from people's eyes always lower out of shame dressed as.... dressed as pride. “Miserable childhood, that inside its bleakness already can tell good from evil... that is sleeping and will awake, will open its eyes but to not see too much will go back to sleep" (Hanus Hachenburg, 12.7.1929 -- Auschwitz 18.12.1943) The Lost Birds I love the lost birds That come back from death To blend in with a sky Where I will never be able to get back. The memories come back, The hours of my youth that I gave away, And a ghost comes from the sea Made out of things I loved and lost. Everything was a dream, a dream that we lost, Like we lost the birds and the sea, A short and ancient dream like the time That mirrors can not reflect. Later I tried to lose you in so many others And that other one and all of them were you; I finally got to recognize when a goodbye is a goodbye, Loneliness devours me, and we were left two. The night birds come back They fly, blind, over the sea, The entire night is a mirror That brings your loneliness back to me. I am but a lost bird Coming back from death To blend in with a sky Where I will never be able to get back. Evillove and the Moon Rare, greedy recklessness of life and thieves our eyes black holes look through what connects them is the alien frame that frightens and bares, all the rest is waiting, deceit, cannibalism Tired, over domesticated animals We play at tightrope walking, hanging from breasts ready to be suckled that we bite to spit milk mixed with blood, boredom and confusion Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath Pantomime fairs of insane superstructures We defend a mozaic of lies that By now we don’t distinguish anymore from our skin, Behind our face only a blind emptiness is left to be kept. Ashen moon you shine without hiding your veil Letting my rain wash you and Not holding your breath Drop of glass reflects you now Your every longing of light Not scared of knowing you anymore Shattering into a thousand drops of wrath The other night, my name appeared in my dream ............................. What’s Left Behind The king-passed away, against the wind he passed away. A sigh blew against the wind. He didn't ever want to give up Didn't want to become Grey and docile, a cup of tea Didn't want to yell, close to the border He was the border And wanted to play with everybody He was called "the cardsharp". I know that I am better than God, He doesn't exist, but I do. We passed the time listening To the sound of the stars Which were drawing cathedrals of cells In the bottoms of our souls Needing new lenses To bring our ideas into focus And to set the ideas on fire And to learn how to run, standing still. Let your reality explode Then swim in the depths of what's left behind, Let the truth explode Then rush to drink what's left behind. As long as the thirst was great To leave alone the bones squeaking And the doubt that loving is chemistry A footprint, and then emptiness ................... When you came at night A thief, kissing my dreams Remember to carry away the emptiness that you left That I need only a bit of room To still love myself.

about

NichelOdeon & borda: Quigyat
Music Field: Performing Art/Rock in Opposition/Contemporary Recital


“According to the Greenland Inuit, the “Quigyat” auroras were the spirits of children who
died a violent death or on their birthday.
This album in war times, employs the live and studio dimension to explore the
possibilities (also compositional) offered by electronics, the same as defined by music
critic Luigi Pestalozza, Luigi Nono’s biographer, as the fruit of armament research”


Quigyat is NichelOdeon's first production with the electronic artist borda (Teo Ravelli).
It is a record created for the definition of a new form of contemporary recital (A.N.F.O.R.E. - a new form of European recital).

Although the voices are all recorded live in Stradella in September 2023, in a show between theatrical monologues, mime, abstract painting and music, the album employs the live dimension to explore the possibilities (also compositional) offered by the recording studio and electronics, the same defined by critic Luigi Pestalozza, Luigi Nono's biographer, as the fruit of research for the production of armaments.

And in wartime this album was born, to transfigure as in an ancient memory, deformed by expressionist horrors, compositions taken from past records (Alla Statua dei Martiri di Gorla, Malamore e la Luna, Ciò che Rimane), to generate drones pervaded by the profound humanity of a Siberian invocation/lamentation (the title track), to make the tango in the middle section, Astor Piazzolla's famous “Los Pajaros Perdidos”, explode in post-metal electricity.

From Master Cronenberg: injecting humanity with perceptual dystopia, exasperating its expressionist scream, in order to resist and exist in an era in which the only musical frontier appears to be an ambiguous reality, if not a parallel one, that smoothes out wrinkles.

Those, here, are amplified by the impossibility of reacting to a course of events that annihilates, waiting for a mechanics capable of putting an end to the optional named 'soul'.

credits

released April 25, 2024

NichelOdeon are:
Francesca Badalini: piano
Andrea Grumelli: fretless bass; electronics
Claudio Milano: voice, theatre
With borda: drums, percussion, live electronics

Music & lyrics by Claudio Milano
Except for: Quigyat (Claudio Milano/Teo Ravelli);
Los Pàjaros Perdidos (Astor Piazzolla/Mario Trejo);
Malamore e la Luna (Claudio Milano/Dario Dongo)

Arrangements by Francesca Badalini, Andrea Grumelli, Claudio Milano, Teo Ravelli
From the event “A.N.F.O.R.E.” (a new form of European recital) by Lorenzo Alagio
(Stradella – PV – Palazzo Isimbardi, 09/09/23)

Live Recordings by Elio Gatti & Paolo Siconolfi, other recordings were made in private studios.
Mixing, editing, mastering, sound design by Paolo Siconolfi
Videos produced by Claudio Milano & Paolo Siconolfi
Artwork by Mario Coppola
Design by Andrea Baltera
Poster by Claudio Milano

A production by
SNOWDONIA dischi di Cinzia La Fauci, viale Sicilia 4, 21052 Busto Arsizio (Va)
© 2024

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Claudio Milano Milan, Italy

Speleologist/climber of the voice, designer of sonic geometries for theater/performance/dance/installations, Claudio Milano is also a teacher, music therapist, actor, performer and illustrator. From 2004 since today he published several albums, 3 of which double, two DVDs and he performed with some of the greatest world musicians in the fields: classic, rock, jazz, ethno, avant-garde, pop... ... more

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