Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
€11EUR or more
Compact Disc (CD) + Digital Album
Thanks to a QR-Code attached to this production (including a booklet), you can download the album's mp3 audio and VIDEO documents in high definition
Tracklist:
01 Nel mezzo del cammin (02:48)
02 Per lo tuo ben penso (01:40)
03 Per me si va nella città dolente (02:06)
04 Ed ecco verso noi venir per nave (02:00)
05 L’angoscia delle genti che sono quaggiù nel viso mi dipigne (04:31)
06 Stavvi Minosse (00:35)
07 Amor che a nullo amato amar perdona (06:15)
08 Stige (03:44)
09 La città di Dite (02:30)
10 Qui son gli eresiarchi (04:55)
11 Pier della Vigna (03:13)
12 I dilapidatori (01:28)
13 I violenti contro Dio (00:55)
14 La prima bolgia (00:51)
15 I ruffiani (01:00)
16 La terza bolgia (01:35)
17 I barattieri (03:37)
18 Gli ipocriti (03:20)
19 I ladri, tra orribili serpi (02:20)
20 Vedi come storpiato è Maometto (01:58)
21 I falsari, fatti lebbrosi, passioidropici (01:30)
22 I giganti (00.44)
23 I traditori, immersi nello stagno gelato di Cocito (02:44)
24 Il conte Ugolino (04:20)
25 Lucifero (02:52)
26 Il cammino sotterraneo (03:00)
Total timing: 1:06:40
Authors: I Sincopatici ft Claudio Milano
Title: Decimo Cerchio (L’Inferno 1911 O.S.T.)
Genre: Zeuhl, Rock in Opposition, Soundtrack Music
A futurist Dante Alighieri with the images of the first colossal in the history of Italian cinema, the silent film 'L'Inferno' of 1911, in a cine-concert with performance theatre interventions.
A performance set to music by performers Francesca Badalini, Luca Casiraghi, Andrea Grumelli and Claudio Milano.
A highly gothic and evocative composition rendered as a concept album, whose pauses seem to intimate something as bleak as the unknown.
An ultra-modern weaving but with the awareness and knowledge of ancient music, the mystery that is proper to ethnic rituals.
Such as to inflect contemporary classical idioms to extreme rock and Nordic ambient, electronics, fusion; musique concrète (or rather, teaser music holophony), to neo-romantic impulses dear to the soundtracks that have made the Italian tradition great (Francesca Badalini, pianist and composer of the project, was a pupil of Oscar winner Nicola Piovani).
A singularity and gloom that have only one precedent:
the most extreme Zeuhl and Rock in Opposition, as much as the records of Carmelo Bene and the more recent productions of Diamanda Galás, with the romantic oases to which the most angelic Peter Hammill has abandoned us.
Music with extreme attention to the sound of the mechanics of the instruments and to that of the recitation, now declaimed, now sung on several octaves, to become a tale of the misguided humanity of a hundred and more stories.
All this in support of a film of the fantastic genre that is one of the first in the world, in its latest restoration, still astonishing in terms of the number of extras, actors, visual and crafted special effects, inspired by Gustave Doré's illustrations but always faithful to Dante's lyric poetry, its universal message and its moving thirst for knowledge.
An experiment, applauded in historic auditoriums such as the Sala Puccini of the Giuseppe Verdi Conservatory in Milan, the Church of Santa Margherita in Piacenza (the current Auditorium Piacenza and Vigevano), the Teatro di Documenti in Rome and then again in Bolzano, Varese, and Potenza.
The music for the CD was recorded live in Varese (Teatro Nuovo - November 2021):
AN OFFICIAL AND INTEGRAL VIDEO was shot in Piacenza (May 2023) and is at this link in its entirety (with the participation of Alessandro Bazzoli on drums and percussion): www.youtube.com/watch?v=grvZ5Icy6N8
On 25 April, the show will be published in CD form with an accurate booklet/vinyl/digital + Qr-code to download the video representing it.
On the following 27th, there will be a repeat performance in honour of the publication, at the Teatro Sociale in Stradella (PV), defined as: 'A theatre risen as if by enchantment and of an elegance that never had its equal' (September 1846).
The publication in 'liquid' form on Bandcamp will contain both the complete audio of Varese and Piacenza.
The 180 gram vinyl of the album, structured as a double suite of shorter duration, will contain a poster and will be pressed in only 100 autographed copies.
The photographs and artwork of the entire work are by artist Mario Coppola,
the design is by Andrea Baltera.
Executive production is by Snowdonia,
artistic production by I Sincopatici, Claudio Milano and Paolo Siconolfi.
The Trio I Sincopatici (Francesca Badalini, Andrea Grumelli, Luca Casiraghi) is mainly dedicated to the rediscovery of silent film masterpieces with live musical accompaniment and, more generally, to projects focusing on the relationship between music and images. The music is conceived for each film by composer and pianist Francesca Badalini, who has been collaborating with the Cineteca Italiana since 1999, composing and performing live music for silent films throughout Europe, and subsequently reworked by the entire group. The Sincopatici propose a highly emotional and intense form of performance, the Cineconcerto, in which the evocative power of the images of silent film masterpieces is combined with the strong suggestion created by music ranging from improvisation to rock and classical music.
CINECONCERTI by I Sincopatici:
Dans la nuit (Charles Vanel) - 1930
The Cameraman (Edward Sedgwick) - 1928
The Battleship Potemkin (Sergej Ėjzenštejn) - 1925
The Cabinet of Doctor Caligari (Robert Wiene) - 1920
The Inferno (Francesco Bertolini, Giuseppe De Liguoro, Adolfo Padovan) - 1911
Metropolis (Fritz Lang) - 1927
The Lost World (Harry Hoyt) - 1925
Nosferatu the Vampire (Friedrich Wilhelm Murnau) - 1922
The New Babylon (Grigory Kozincev and Leonid Trauberg) - 1929
The Ladder of Satan (Benjamin Christensen) -1929
Music for the galaxies
the project proposes an excursus on the different filmic and musical visions on the theme of science fiction, from the dawn to the present day, through an original reinterpretation of the most beautiful soundtracks, from Metropolis to Blade Runner, from Solaris to Star Wars, from Planet of the Apes to Interstellar.
CLAUDIO MILANO:
Singer and extended-voice performer, vocal coach, composer, actor and music therapist graduated with honours in stage design, with a psychodrama on Gesamtkunstwerk.
As a composer and performer since 2002, he has participated in the First Moscow Biennale of Contemporary Art and the Venice Biennale of Art in 2011; dance, music, multimedia, theatre performances; readings, opera-symphonic works (he is a member of the choir of the Milan Symphony Orchestra, La Verdi) and video-art festivals held throughout Italy, Switzerland, France, Germany, Finland, Serbia, Croatia, Slovakia, Saudi Arabia and India.
He has released 19 albums, two DVDs and participated in 28 publications by international artists, collaborating with some of the greatest musicians in classical/lyric, jazz, pop, rock, ethno, folk, avant-garde, such as members of King Crimson, Morphine, Old Time Relijun, Huun Huur Tu, Kluster, Gong, Current 93, Hawkwind, Premiata Forneria Marconi, Area, Le Orme, Biglietto per L'Inferno, Saint Just, Pholas Dactylus, Detonazione, Calibro 35, Francesco Chiapperin's EVE, Bruno Romani's Quartet, Oceansize, Altar of Flies; with Elliott Sharp, Ralph Carney, Nate Wooley, Tania Giannouli, Werner Durand, Burkhard Stangl, Ivan Cattaneo...
Includes unlimited streaming of Decimo Cerchio (L'Inferno 1911 O.S.T.)
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
...more
ships out within 7 days
€15EURor more
Record/Vinyl + Digital Album
Thanks to a QR-Code attached to this production (including a poster), you can download the album's mp3 audio and VIDEO documents in high definition!
Tracklist
SIDE A
01) Nel mezzo del cammin (00:00)
02) Per lo tuo ben penso (02:36:254)
03) Per me si va nella città dolente (04:19:105)
04) Ed ecco verso noi venire per nave (06:26:854)
05) Amor che a nullo amato amar perdona (08:44:424)
06) Stavvi Minosse (11:00:587)
07) Stige (13:40:510)
08) La città di Dite (17:25:568)
09) Qui son gli eresiarchi (19:59:078)
SIDE B
01) Pier della Vigna (00:00)
02) I violenti contro Dio (03:06:880)
03) La terza bolgia (04:02:639)
04) I barattieri (05:37:713)
05) Gli ipocriti (09:14:715)
06) Vedi come storpiato è Maometto? (12:33:528)
07) I traditori, immersi nello stagno gelato di Cocito (14:37:367)
08) Il conte Ugolino (17:21:515)
09) Lucifero (21:41:775)
"The 180 gram vinyl of the album, structured as a double suite of shorter duration, will contain a poster and will be pressed in only 100 autographed copies.
The photographs and artwork of the entire work are by artist Mario Coppola,
the design is by Andrea Baltera."
Authors: I Sincopatici ft Claudio Milano
Title: Decimo Cerchio (L’Inferno 1911 O.S.T.)
Genre: Zeuhl, Rock in Opposition, Soundtrack Music
A futurist Dante Alighieri with the images of the first colossal in the history of Italian cinema, the silent film 'L'Inferno' of 1911, in a cine-concert with performance theatre interventions.
A performance set to music by performers Francesca Badalini, Luca Casiraghi, Andrea Grumelli and Claudio Milano.
A highly gothic and evocative composition rendered as a concept album, whose pauses seem to intimate something as bleak as the unknown.
An ultra-modern weaving but with the awareness and knowledge of ancient music, the mystery that is proper to ethnic rituals.
Such as to inflect contemporary classical idioms to extreme rock and Nordic ambient, electronics, fusion; musique concrète (or rather, teaser music holophony), to neo-romantic impulses dear to the soundtracks that have made the Italian tradition great (Francesca Badalini, pianist and composer of the project, was a pupil of Oscar winner Nicola Piovani).
A singularity and gloom that have only one precedent:
the most extreme Zeuhl and Rock in Opposition, as much as the records of Carmelo Bene and the more recent productions of Diamanda Galás, with the romantic oases to which the most angelic Peter Hammill has abandoned us.
Music with extreme attention to the sound of the mechanics of the instruments and to that of the recitation, now declaimed, now sung on several octaves, to become a tale of the misguided humanity of a hundred and more stories.
All this in support of a film of the fantastic genre that is one of the first in the world, in its latest restoration, still astonishing in terms of the number of extras, actors, visual and crafted special effects, inspired by Gustave Doré's illustrations but always faithful to Dante's lyric poetry, its universal message and its moving thirst for knowledge.
An experiment, applauded in historic auditoriums such as the Sala Puccini of the Giuseppe Verdi Conservatory in Milan, the Church of Santa Margherita in Piacenza (the current Auditorium Piacenza and Vigevano), the Teatro di Documenti in Rome and then again in Bolzano, Varese, and Potenza.
The music for the CD was recorded live in Varese (Teatro Nuovo - November 2021)
AN OFFICIAL AND INTEGRAL VIDEO was shot in Piacenza (May 2023) and is at this link in its entirety (with the participation of Alessandro Bazzoli on drums and percussion): www.youtube.com/watch?v=grvZ5Icy6N8
On 25 April, the show will be published in CD form with an accurate booklet/vinyl/digital + Qr-code to download the video representing it.
On the following 27th, there will be a repeat performance in honour of the publication, at the Teatro Sociale in Stradella (PV), defined as: 'A theatre risen as if by enchantment and of an elegance that never had its equal' (September 1846).
The publication in 'liquid' form on Bandcamp will contain both the complete audio of Varese and Piacenza.
Executive production is by Snowdonia,
artistic production by I Sincopatici, Claudio Milano and Paolo Siconolfi.
Includes unlimited streaming of Decimo Cerchio (L'Inferno 1911 O.S.T.)
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
...more
Authors: I Sincopatici ft Claudio Milano
Title: Decimo Cerchio (L’Inferno 1911 O.S.T.)
Genre: Zeuhl, Rock in Opposition, Soundtrack Music
A futurist Dante Alighieri with the images of the first colossal in the history of Italian cinema, the silent film 'L'Inferno' of 1911, in a cine-concert with performance theatre interventions.
A performance set to music by performers Francesca Badalini, Luca Casiraghi, Andrea Grumelli and Claudio Milano.
A highly gothic and evocative composition rendered as a concept album, whose pauses seem to intimate something as bleak as the unknown.
An ultra-modern weaving but with the awareness and knowledge of ancient music, the mystery that is proper to ethnic rituals.
Such as to inflect contemporary classical idioms to extreme rock and Nordic ambient, electronics, fusion; musique concrète (or rather, teaser music holophony), to neo-romantic impulses dear to the soundtracks that have made the Italian tradition great (Francesca Badalini, pianist and composer of the project, was a pupil of Oscar winner Nicola Piovani).
A singularity and gloom that have only one precedent:
the most extreme Zeuhl and Rock in Opposition, as much as the records of Carmelo Bene and the more recent productions of Diamanda Galás, with the romantic oases to which the most angelic Peter Hammill has abandoned us.
Music with extreme attention to the sound of the mechanics of the instruments and to that of the recitation, now declaimed, now sung on several octaves, to become a tale of the misguided humanity of a hundred and more stories.
All this in support of a film of the fantastic genre that is one of the first in the world, in its latest restoration, still astonishing in terms of the number of extras, actors, visual and crafted special effects, inspired by Gustave Doré's illustrations but always faithful to Dante's lyric poetry, its universal message and its moving thirst for knowledge.
An experiment, applauded in historic auditoriums such as the Sala Puccini of the Giuseppe Verdi Conservatory in Milan, the Church of Santa Margherita in Piacenza (the current Auditorium Piacenza and Vigevano), the Teatro di Documenti in Rome and then again in Bolzano, Varese, and Potenza.
The music for the CD was recorded live in Varese (Teatro Nuovo - November 2021).
AN OFFICIAL AND INTEGRAL VIDEO was shot in Piacenza (May 2023) and is at this link in its entirety (with the participation of Alessandro Bazzoli on drums and percussion): www.youtube.com/watch?v=grvZ5Icy6N8
On 25 April, the show will be published in CD form with an accurate booklet/vinyl/digital + Qr-code to download the video representing it.
On the following 27th, there will be a repeat performance in honour of the publication, at the Teatro Sociale in Stradella (PV), defined as: 'A theatre risen as if by enchantment and of an elegance that never had its equal' (September 1846).
The publication in 'liquid' form on Bandcamp will contain both the complete audio of Varese and Piacenza.
The 180 gram vinyl of the album, structured as a double suite of shorter duration, will contain a poster and will be pressed in only 100 autographed copies.
The photographs and artwork of the entire work are by artist Mario Coppola,
the design is by Andrea Baltera.
Executive production is by Snowdonia,
artistic production by I Sincopatici, Claudio Milano and Paolo Siconolfi.
The Trio I Sincopatici (Francesca Badalini, Andrea Grumelli, Luca Casiraghi) is mainly dedicated to the rediscovery of silent film masterpieces with live musical accompaniment and, more generally, to projects focusing on the relationship between music and images. The music is conceived for each film by composer and pianist Francesca Badalini, who has been collaborating with the Cineteca Italiana since 1999, composing and performing live music for silent films throughout Europe, and subsequently reworked by the entire group. The Sincopatici propose a highly emotional and intense form of performance, the Cineconcerto, in which the evocative power of the images of silent film masterpieces is combined with the strong suggestion created by music ranging from improvisation to rock and classical music.
CINECONCERTI by I Sincopatici:
Dans la nuit (Charles Vanel) - 1930
The Cameraman (Edward Sedgwick) - 1928
The Battleship Potemkin (Sergej Ėjzenštejn) - 1925
The Cabinet of Doctor Caligari (Robert Wiene) - 1920
The Inferno (Francesco Bertolini, Giuseppe De Liguoro, Adolfo Padovan) - 1911
Metropolis (Fritz Lang) - 1927
The Lost World (Harry Hoyt) - 1925
Nosferatu the Vampire (Friedrich Wilhelm Murnau) - 1922
The New Babylon (Grigory Kozincev and Leonid Trauberg) - 1929
The Ladder of Satan (Benjamin Christensen) -1929
Music for the galaxies
the project proposes an excursus on the different filmic and musical visions on the theme of science fiction, from the dawn to the present day, through an original reinterpretation of the most beautiful soundtracks, from Metropolis to Blade Runner, from Solaris to Star Wars, from Planet of the Apes to Interstellar.
CLAUDIO MILANO:
Singer and extended-voice performer, vocal coach, composer, actor and music therapist graduated with honours in stage design, with a psychodrama on Gesamtkunstwerk.
As a composer and performer since 2002, he has participated in the First Moscow Biennale of Contemporary Art and the Venice Biennale of Art in 2011; dance, music, multimedia, theatre performances; readings, opera-symphonic works (he is a member of the choir of the Milan Symphony Orchestra, La Verdi) and video-art festivals held throughout Italy, Switzerland, France, Germany, Finland, Serbia, Croatia, Slovakia, Saudi Arabia and India.
He has released 19 albums, two DVDs and participated in 28 publications by international artists, collaborating with some of the greatest musicians in classical/lyric, jazz, pop, rock, ethno, folk, avant-garde, such as members of King Crimson, Morphine, Old Time Relijun, Huun Huur Tu, Kluster, Gong, Current 93, Hawkwind, Premiata Forneria Marconi, Area, Le Orme, Biglietto per L'Inferno, Saint Just, Pholas Dactylus, Detonazione, Calibro 35, Francesco Chiapperin's EVE, Bruno Romani's Quartet, Oceansize, Altar of Flies; with Elliott Sharp, Ralph Carney, Nate Wooley, Tania Giannouli, Werner Durand, Burkhard Stangl, Ivan Cattaneo...
Speleologist/climber of the voice, designer of sonic geometries for theater/performance/dance/installations, Claudio Milano
is also a teacher, music therapist, actor, performer and illustrator. From 2004 since today he published several albums, 3 of which double, two DVDs and he performed with some of the greatest world musicians in the fields: classic, rock, jazz, ethno, avant-garde, pop......more
Composer and bass player Håkon Thelin aims to cut to the essence of the double bass by focusing on technique with these contemporary pieces. Bandcamp New & Notable Apr 11, 2023
